Not Safe For Work: Author of the viral essay 'My boyfriend, a writer, broke up with me because I am a writer'

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NSFW is the story of a young Harvard grad who, thanks to a fairly healthy dose of nepotism adjacent connections, lands a temp job at the television network XBC. Her own skillset is what gets our unnamed protagonist promoted to an assistant position for one of the major movers and shakers of the network and eventually even allows her to sit in on pitches for new program development. The timeframe is prior to #metoo where office engagement is taken as . . . .

They know you need to be thoughtful about what you say. Some of them now begin sentences with, “I probably shouldn’t say this anymore, but...” Brilliantly deadpan and spiky in all the right ways. An accurate, darkly funny but also brutal portrayal of everyday workplace and world power dynamics. I couldn't put it down Emily Itami, Costa-shortlisted author of Fault Lines

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Frank, funny and unputdownable . . . behind the glitter and the justice, everyone is tarnished and compromised - including even our narrator. Kaplan, with her sharp and nuanced eye, sees it all, and tells it brilliantly Claire Messud, New York Times bestselling author of The Woman Upstairs A book with a title like NSFW is practically daring you to read it, especially at work. YOLO. But NSFW is more than a book with a buzzy title; it's also an incredibly ambitious and timely novel about rape culture, and what working in Hollywood was like prior to the widespread progression of the #MeToo movement in 2017 following the Harvey Weinstein allegations. And she knows too well what men are capable of. Her mother is a veteran feminist campaigner, a lawyer who now practises corporate law but who once fought a public battle for the rights of women who had been assaulted or raped. But that didn’t make sense. He first broke up with me a few years ago because I wasn’t successful and independent enough. He wanted a partner, not a wife, he said.

With her sun-bleached Hollywood setting, Kaplan transports us to another world - one which is achingly familiar. A novel which makes us examine our own complicity, while also weaving in threads of tenderness, drive and office-based humour which at times feels delightfully absurd . . . I inhaled this book - and came up for air still reeling Katie Hale, author of My Name is Monster In a simple sense, NSFW comments on how insidious rape culture is and how it’s particularly perpetuated in the workplace, both consciously and unconsciously, by both men and women. The novel places a focus on the complicity of both men and women – but more interestingly, the complicity of women. It’s kind of expected that men will never say anything because they’re ‘protecting their own’ or don’t see it as a problem that affects them – so then is the women’s responsibility to do something because ‘women support women?’ What role do women play in this corrupt system when they turn a blind eye to accusations against their male family members or friends, when they shrug it off because ‘he’s never done anything to me’. But then again, how can women be tasked with fixing a broken, patriarchal system that they didn’t create in the first place? Shouldn’t men be the ones who step forward and use their position to create change? But despite her worldliness, she finds a world even more rotten at the core than she’d expected, one where male studio executives can do what they want, when they want, and the women are expected to be grateful. With blisteringly sharp prose and a darkly humorous voice, Not Safe For Work is an unflinching exploration of the grey area between empowerment and complicity, and a searing, unforgettable portrait of what success costs in a patriarchal world. Heartburn, Ephron’s only novel, is a thinly veiled and darkly hilarious story about a woman whose husband has an affair when she’s seven months pregnant.

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We urgently need to develop avenues for conversations about all the behaviour that lives in this grey space. We also need to stop blindly applauding powerful women in Hollywood as if their success is inherently “good for women” or an illustration of the system working in a more egalitarian way. Some of the worst men in Hollywood are women. It’s an ugly truth, and one that’s difficult to discuss in the nuanced way it deserves, but women are often better foot soldiers of the patriarchy than men. Particularly women who have held positions of power for a while. Understandable: they, too, are the product of structural forces. That may explain, but it doesn’t excuse. And a number of them wield their gender as a protective shield against criticism. You thrive under pressure, and are determined to excel. But there's a dark side to the industry that's about to rear its head. And soon, you must decide your place in it: